My encaustic workshop wrapped up on Monday, and I’m just getting around to taking photos of my work and processing my thoughts on the whole experience. I had some anxiety about being able to make it through four straight eight-hour days of art-making, but once I got into the swing of things, I caught myself checking the clock regularly in hopes of actually slowing down time.  I was totally bummed when Monday evening rolled around, and my short-lived experience as a full-time artist was over. But my bummed-ness was offset by the fact that I was walking away with a pretty cool collection of work and a renewed passion for art-making. Below are a few of the highlights…
This is one of my favorite pieces, made with wax, thread, and tissue paper printed with one of my images of Paris:
This pattern was woven with thread, then cast in a mixture of clear and white wax. As the class progressed, I became known as the girl with all the white wax – a lot of my work was fairly muted, and I was one of the few that allowed the color of the wood panel underneath to really show through. I loved the color and grain of the birch veneer, and so I figured, why hide it?
More white and clear, set over a tissue transfer of one of my sketches:
I brought a couple of the ‘seed pod’ sketches that I used for my food art back out for these two pieces:
One of the things I liked most about the class was the opportunity to experiment with different media. My instructors brought all kinds of new ideas on how to achieve unusual effects with every-day materials. This is what happens when wax is coated with shellac, then heated with a torch – lovely:
And this is shellac sprayed with India ink. This charred effect comes from some kind of chemical reaction between the two elements – no fire necessary. I love it – I never knew painting could feel so much like a chemistry class!:
I am vowing not to let this new-found interest fizzle like so many of my other artistic intrigues, so hopefully I’ll be posting more encaustic work in the future. Aaaaagh! So many possibilities, so little time…
la v says:
beautiful! i love the shellac one! glad you had fun.
March 29, 2010, 7:16 amLinda says:
Great work! Looking forward to an encaustic workshop in May! Feeling inspired!
March 27, 2015, 2:37 pmDiane says:
I love the muted pieces you did in your workshop – I agree the birch showing through really adds to yor pieces.
One question about the shellac – did you paint this over wax first and then spray with India ink?
Diane
May 15, 2015, 11:03 amSara mclennand says:
love your post and can’t wait to try the shellac with India Ink!
May 24, 2015, 6:48 amThank you for sharing!
Pat says:
Just a note to say how much I am inspired by you, your work…Can you say a bit more about this non flame shellac. Is it amber shellac, can you put a layer of medium over the shellac and India ink, (when it’s dry)?
Thank you so much..
Pat
September 19, 2015, 4:19 pm